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Luna Group

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Telling part of the first section of Journey to the West, “The Monkey King” centers that tome’s most beloved character, voiced a bit annoyingly by an inconsistent Jimmy O. Yang. Considering himself more than an ordinary simian, The Monkey King strives to be an immortal, and to be one, he must defeat 100 demons with his magical staff (Nan Li), a clever idea rendered dully here. He eventually partners with a girl named Lin (Jolie Hoang-Rappaport) on his journey into mythological history, and the partnership between a monkey who is convinced he’s a hero and a girl who’s convinced she could never be one does give a film that was too narratively loose some much-needed structure (although it’s interesting to note that Lin is a creation of this version of this tale and not the source).

“The Monkey King” gets its most visual and character strength from the Dragon King, a singing, dancing, power-mad creation voiced well by Bowen Yang of "Saturday Night Live." A true villain in a piece that doesn’t have one for too long, Yang’s egocentric demon gives the final act of “The Monkey King” some needed stakes and some well-crafted fight choreography, courtesy of Siwei Zou. When the film occasionally channels Chow’s sense of martial arts whimsy, it finds some momentum. But it regularly then lurches to a halt for a generic conversation between Monkey and Lin or another episodic encounter along the way, often scored to a heavy-metal riff that mistakes loud for exciting.


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